Showing posts with label The People's Theatre. Show all posts
Showing posts with label The People's Theatre. Show all posts

Saturday, 16 March 2013

Review: King Lear at The People’s Theatre, Heaton

The Excellent Foppery of the World
Friday 15th March 2013


 

Nature, reason and mortality are themes explored by Shakespeare’s bleakest tragedy, played out tonight at The People's Theatre on a bare brick stage populated by beggars and scraps of rubbish.

Tony Childs gave a powerhouse performance as Lear, perhaps more convincing as the distraught madman of later scenes than as the blustering monarch at the beginning of the play, but was consistently engaging and line-perfect.

One of the best performances came from Sam Hinton, who was clearly enjoying himself immensely as the thoroughly villainous Edmund, savouring his monologues as if they were rare delicacies. Sarah Scott and Rye Mattick acquitted themselves well as the scheming Regan and Goneril, cackling and strutting the stage like analogues of Disney’s Maleficent.  

Some unfortunate technical glitches affected tonight’s performance, and elsewhere some of the dialogue was a little lost. However, this was compensated for by a committed and well coordinated performance by the ensemble cast.

I did wonder if the modern dinner dress and Joanne Kelly’s female (wise) Fool were intended as a statement on contemporary patriarchal society; the People’s production of Lear, like the best Shakespeare, is the beginning of a discussion.

The final performance of King Lear is at 7.30 pm tonight. For full details, see http://www.peoples-theatre.co.uk/

Tuesday, 3 January 2012

Sunday, 16 October 2011

Review: A Double Dose of Dickens

‘The Life and Adventures of Nicholas Nickleby’, Part 1 and Part 2 at The People's Theatre, Heaton.
Written by David Edgar.
Adapted from the novel by Charles Dickens.


This adaptation of Dickens’ third novel is one of the People’s most ambitious undertakings to date, selected for the theatre’s centenary programme and performed in two separate parts. ‘Nickleby’ contains many key themes present in earlier and later Dickens works: social injustice, families falling on hard times, and the machinations of those who manipulate the institutional apparatus for their own ends. It also contains typical Dickensian humour, and Nicholas’ involvement with Crummles’ acting troupe makes the novel an interesting candidate for dramatic adaptation.

Upon entering the auditorium, the audience were confronted by a stark but effective two-storey set which was then brought to life by subtle lighting, evoking the numerous environments. The directors’ attention to detail led to some nice touches: a handful of dust denoting falling snow, for example, and the tapping of a cane providing the sound of a spinning roulette wheel.


The cast all gave an excellent performance. Pat Haggerty was quite incredible as both the warm-hearted LaCreevy and malevolent Peg, and Michael Short gave a terrifically nuanced performance as Nicholas’ corrupt Uncle Ralph. Sam Hinton worked very hard as Nicholas, injecting humour and warmth into Dickens’ titular focalizer.

Michael Blair was fantastic as the stern but kind-hearted John Browdie, and Sean Burnside was very effective as the downtrodden Smike: his death was a genuinely moving moment of the more sombre second half.

Every Dickens story has its memorable villains, and this production benefitted greatly from Paul Carding and Maggie Childs’ suitably grotesque Mr. and Mrs. Squeers of Dotheboys Hall.

John MacDonald was terrific throughout, contributing trombone and accordion to the musical accompaniment, as well as giving fantastic turns as the covetous Arthur Gride and eccentric Crummles.

Due to the adaptation’s faithfulness to the novel, all of the actors were required to play multiple parts (for example, Jake Wilson Craw played characters as diverse as Belling, Colonel Chowser and Crummles’ horse). Above all, the cast gave an excellent ensemble performance. One highlight was the crowd scene where Nicholas walks the streets of London after learning of Madeline’s engagement to Gride and he joins the oppressed masses in lamentation.

At a combined length of five and a half hours, the play is a challenge for the audience as well as for the cast – but one well worth undertaking. All cast and crew deserve great credit for tackling a play seldom performed by professional companies and for making it so entertaining.

After a break of two days, ‘The Life and Adventures of Nicholas Nickleby’ will run again from Tuesday 18/10 until Saturday 22/10. Part 1 will be performed on Tuesday and Thursday night and Saturday afternoon, whereas Part 2 will be performed on Wednesday, Friday and Saturday night. Customers buying tickets for both parts will receive a discount; visit www.ptag.org.uk/

Saturday, 28 May 2011

Clockwork Memories



Anthony Burgess' 'A Clockwork Orange' at The People's Theatre, Newcastle upon Tyne, May 2011: from the rehearsal room to the stage.

Photographs by Dianne Edwards, Colin Cuthbert, Michael Blair, Leah Page, Tom Saunders and Jimmy Hutchinson.

Music: Beethoven - Symphony No. 5 (Allegro Con Brio).
Brahms - Tragic Overture.
Beethoven - Symphony No. 9 (Ode to Joy/Allegro Assai).

The play was directed by Tom Saunders and starred David Robson as Alex. Video editing by Jimmy Hutchinson.
www.ptag.org.uk/

Wednesday, 11 May 2011

A Clockwork Orange @ The People's Theatre



Showing from Tuesday 17th May to Saturday 21st May 2011 at the People's Theatre, Heaton, Newcastle Upon Tyne.

Tickets are £10.50 (£8.50 concessions).

I am playing Pete the Droog and Big Jew.

Thursday, 24 March 2011

A Midsummer Night's Dream


Currently showing at The People's Theatre. There are two remaining shows on Friday and Saturday.
Excellent performances, costumes and sets. Strongly recommended.

Wednesday, 3 March 2010

Lysistrata


'Lysistrata' by Aristophanes
Tuesday 02/03 - Saturday 06/03
The People's Theatre, Newcastle Upon Tyne

I am playing Kinesias.

Monday, 14 December 2009

Sleeping Beauty


Showing until this Sunday, 20th December.

Wednesday, 17 June 2009

Review: Play It Again, Sam


Last night, a production of Woody Allen's 'Play It Again, Sam' opened at the People's Theatre in Heaton, Newcastle Upon Tyne.

The play concerns Allan, a young film critic and neurotic who is unlucky in love. Receiving dubious advice on how to proceed from the ghost of Humphrey Bogart and his friends Dick and Linda (who have their own relationship issues), Allan becomes more confused than ever.

Reg White gives a very strong performance as the uptight Allan, managing to draw laughs and sympathy in equal measure, and demonstrates an impressive mastery of Woody Allen-style mannerisms. Pete McAndrew's Bogart was also very convincing, and he managed to maintain the accent well throughout the play.

The rest of the cast performed well, and as usual at the People's Theatre, stage design, lighting and sound were all excellent. The roar of nighttime New York coming through an open window and set decoration extending into the wings were particularly nice touches. Recommended.

The play runs from 16th to 20th June. Full details available here: http://ptag.org.uk/index.htm